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The Relationship between Object and Work in Peter Lamarque's Ontological Theory | ||
| فلسفه غرب | ||
| دوره 4، شماره 1 - شماره پیاپی 13، اردیبهشت 1404، صفحه 81-96 اصل مقاله (290.44 K) | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.30479/wp.2025.21938.1163 | ||
| نویسندگان | ||
| Yousef Nozuhour* 1؛ Hamidreza Ghanbari2 | ||
| 1Associate Professor, Department of Philosophy, Allame Tabataba”i University, Tehran, Iran | ||
| 2Ph.D Student of Philosophy, Allame Tabataba”i University, Tehran, Iran | ||
| تاریخ دریافت: 0-1141 فروردین 786، تاریخ پذیرش: 0-1121 فروردین 786 | ||
| چکیده | ||
| A primary issue in art ontology is identifying the essence and the category of the artwork. Philosophers have had various contradictory perspectives towards this issue. One of the most significant views belongs to Peter Lamarque called the theory of “Object and artwork”. According to this theory, an artwork has intrinsic features meaning that it essentially holds some features while holding them in all possible worlds, is a genuine phenomenon discrete from human mind, meaning that its existence is not dependent on the human minds, and that its habitat is not the mind but the external world and is considered as a furniture to it, is different from natural and common objects, despite being made of normal, day-to-day and even mundane objects, can be interpreted, can have various interpretations, and even occasionally, artworks are born into existence by the interpretation of the creator and the artist, possesses relative and intentional adjectives, meaning that although it is a genuine phenomenon, it is dependent on the audience as well, and is also a cultural construction that requires an audience community to live, this means that if the artwork loses its audience community, it is no longer an artwork but merely an object. | ||
| کلیدواژه‌ها | ||
| Ontology؛ Object؛ Artwork؛ Intentionality؛ Cultural Artefact؛ Peter Lamarque | ||
| عنوان مقاله [English] | ||
| The Relationship between Object and Work in Peter Lamarque's Ontological Theory | ||
| نویسندگان [English] | ||
| Yousef Nozuhour1؛ Hamidreza Ghanbari2 | ||
| 1Associate Professor, Department of Philosophy, Allame Tabataba”i University, Tehran, Iran | ||
| 2Ph.D Student of Philosophy, Allame Tabataba”i University, Tehran, Iran | ||
| چکیده [English] | ||
| A primary issue in art ontology is identifying the essence and the category of the artwork. Philosophers have had various contradictory perspectives towards this issue. One of the most significant views belongs to Peter Lamarque called the theory of “Object and artwork”. According to this theory, an artwork has intrinsic features meaning that it essentially holds some features while holding them in all possible worlds, is a genuine phenomenon discrete from human mind, meaning that its existence is not dependent on the human minds, and that its habitat is not the mind but the external world and is considered as a furniture to it, is different from natural and common objects, despite being made of normal, day-to-day and even mundane objects, can be interpreted, can have various interpretations, and even occasionally, artworks are born into existence by the interpretation of the creator and the artist, possesses relative and intentional adjectives, meaning that although it is a genuine phenomenon, it is dependent on the audience as well, and is also a cultural construction that requires an audience community to live, this means that if the artwork loses its audience community, it is no longer an artwork but merely an object. | ||
| کلیدواژه‌ها [English] | ||
| Ontology, Object, Artwork, Intentionality, Cultural Artefact, Peter Lamarque | ||
| مراجع | ||
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